The work of mourning and September 11

Began reading a very thoughtful article by Adi Drori-Avraham on September 11 this passage in particular struck me:

The photographic image, with its indexical power, its unflinching persistence to freeze time, to capture, to arrest, defies any attempt to deny or forget. As an authentic representation of events, the image not only testifies that an event really happened but also guarantees that it never ceases to happen. ‘When the picture is painful’, writes Ronald Barthes inCamera Lucida, ‘nothing in it can transform grief into mourning’ (1993, p. 90).

I was surprised over the last week, watching a number of the 9/11 5 year anniversary TV specials, how potent those endlessly repeated images remain. Because of this research I am in the zone of the event all the time so I was a little shocked when my reaction to the towers falling was so visceral. You know exactly what’s coming, that crumbling fall is animated for mere seconds but I still found it awesome and terrible. Continuously transforming and continuously untransformed.

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