But that’s Crazy Talk

Sharon Weinberger’s extraordinary feature for the Washington Post Magazine about “TIs” – people who belive they are “Targeted Individuals” of government mind control experiments – is a fine example of suspending judgement and allowing a sympathetic portrait to emerge from an unusal story. She does not avoid the humour in the story but she never laughs out loud at her subject’s expense:

IF HARLAN GIRARD IS CRAZY, HE DOESN’T ACT THE PART. He is standing just where he said he would be, below the Philadelphia train station’s World War II memorial — a soaring statue of a winged angel embracing a fallen combatant, as if lifting him to heaven. Girard is wearing pressed khaki pants, expensive-looking leather loafers and a crisp blue button-down. He looks like a local businessman dressed for a casual Friday — a local businessman with a wickedly dark sense of humor, which had become apparent when he said to look for him beneath “the angel sodomizing a dead soldier.” At 70, he appears robust and healthy — not the slightest bit disheveled or unusual-looking. He is also carrying a bag.

It is also beautifully structured with the story of Harlan Girard as the anchor of the narrative, but far from the only voice. Weinberger introduces us to other TIs and pursues research and reporting that tries to determine what exactly the Pentagon is doing in the area of mind control. It is an excellent example of a feature that combines research into a broader social issue and intimately told stories of those whom it affects.In the end it comes full circle and ends with a celebration of Girard’s survival:

For all his anguish, be it the result of mental illness or, as Girard contends, government mind control, the voices haven’t managed to conquer the thing that makes him who he is: Call it his consciousness, his intellect or, perhaps, his soul.”That’s what they don’t yet have,” he says. After 22 years, “I’m still me.”

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